Selected from diverse submissions across the island, the exhibition presents the First Prize award winner, two runner-up award winners, a bursary award recipient and 30 shortlisted artists selected through Ireland’s largest combined prize fund for contemporary photography, totalling €25,000.
Presented in partnership with Taylor Wessing, Photo Museum Ireland and Business to Arts, the Taylor Wessing Irish Photo Prize is a long-term investment in photographic practice in Ireland. The exhibition brings together new work by photographers and lens-based artists at different stages of their careers, spanning documentary, portraiture, conceptual and experimental approaches.
A separate award for a photographer from an underrepresented community.
A special award for shortlisted artists who will feature in the exhibition next Spring.
This €10,000 award has been established to support an artist working in photography or lens-based media who identifies as being from an underrepresented background. The bursary aims to facilitate time and space through financial resources to enable the recipient to further develop their practice. See submission guidelines below.
Winning and shortlisted works will feature in a major public exhibition at Photo Museum Ireland from 21 April – 24 May 2026, accompanied by a national and international media campaign, after which the winning works will become part of the Taylor Wessing Irish Photo Prize collection that will be displayed at Taylor Wessing offices.
This initiative builds on Taylor Wessing’s longstanding support of photography through its sponsorship of the Taylor Wessing Photo Portrait Prize since 2008 at the National Portrait Gallery in the UK.
For its inaugural edition in 2026, the prize invites artists to explore the powerful theme of Community.
An ancient Irish proverb, Ar scáth a chéile a mhaireann na daoine, teaches us that it is in each other’s shadow that we live. This speaks to a fundamental truth of Irish life: our identities are shaped by connection, interdependence, and shared experience.
In a time of profound global change, shaped by digital connectivity and a search for belonging, the concept of community is more essential than ever. The Taylor Wessing Irish Photo Prize 2026 asks artists to share their unique visual reflections on what it means to live together in Ireland today. We seek work that investigates the bonds, both visible and invisible,that tie us together.
How strongly the work responds to the theme Community and reflects the realities, identities, and experiences of life today in Ireland.
How fresh, distinctive, and imaginative the work is — showing new ideas, personal vision, or inventive approaches.
The quality of the image-making, including composition, lighting, focus, and confident use of the chosen medium.
How powerfully the work connects with viewers — its emotional depth, clarity of intent, and ability to convey a story or atmosphere.
Respectful and responsible depiction of people and communities, with attention to consent, context, and fairness.
Anne Nwakalor is a British-Nigerian curator, artist and writer working within the photography field. She is currently based in Manchester, UK and is the Founding Editor of one of Africa’s first contemporary photography magazines, No! Wahala Magazine print photography publication championing authentic visual stories told by African creatives. Her practice developed while studying a BA in Photojournalism and Documentary Photography at the University of the Arts London and a Master’s in Media, Ethics, and Social Change at the University of Sussex. Her interests revolve around ethical storytelling within the photography space, Afrofuturism, representation, and elitism within the art world, alongside a range of other topics. Anne often integrates text and moving images into her work, creating multimedia pieces alongside still photography. She has facilitated workshops, curated exhibitions, reviewed portfolios, and served on photography juries for organisations and institutions, including World Press Photo, Magnum Photos, Foam Magazine, Format Festival, Paris College of Art, Photo Museum Ireland, and Manchester Metropolitan University. She has featured on panels for numerous photography contests, reviewed work at several portfolio reviews, and delivered presentations, talks and lectures at universities, exhibitions, art events and photo festivals.
Fintan O’Toole is one of Ireland’s foremost public intellectuals, whose work sits at the intersection of politics, history, culture and literature. He writes with clarity and depth about how decisions—both bold and flawed—reshape lives.
Since 1988, he has been a columnist for The Irish Times, and he contributes to The New Yorker, The Guardian, The New York Review of Books, among others. He also previously served as Leonard L Milberg Professor of Irish Letters at Princeton University.
O’Toole has authored around 25 books spanning topics such as Irish identity, literature, Brexit, and political critique. His accolades include the Orwell Prize, the European Press Prize, and the 2024 Robert B. Silvers Prize for “inclusive political commentary.” Currently, he is writing the official biography of Seamus Heaney.
In his lectures and writings, he invites audiences to see their own role in shaping history and to reflect critically on power, identity, and progress.
Zoe Harrison is a Northern Irish curator, project manager, and photographer based in east London. Currently Head of Awards and Partnerships at British Journal of Photography, the world’s longest-running photography title. Here, she curates magazine’s prestigious awards program, including Portrait of Humanity, OpenWalls, Female in Focus, BJP IPA and Portrait of Britain, and oversees partnerships and collaborations with the publication with organisations like WeTransfer, Nikon and Bodleian Libraries. She has been invited to review portfolios at a number of institutions and events such as PHotoESPAÑA, LCC, Falmouth University, and Nottingham Trent University; and serve on the juries of the Indian Photo Festival and Format Festival.
Trish Lambe is the Artistic Director/CEO at Photo Museum Ireland, Ireland’s national centre for contemporary photography. She leads the artistic programming team and the development of the museum’s collection initiative. She has curated solo and group exhibitions featuring leading Irish and international artists, and programmed national and international commissions, exhibitions, events, and symposia that address key issues in contemporary photography. Recent projects include a survey of the development of photography in Ireland, co-curated with Photo Museum Ireland’s curatorial team and the co-curation of the award-winning Akihiko Okamura ‘The Memories of Others’ exhibition and photo book. She is a nominator, juror and portfolio reviewer for national and international artists’ awards and commissions, most recently the Deutsche Börse Prize, LSI Women in Photography Grant, Prix Pictet, Format, Rencontres d’Arles, Hendrik teNeues Photo Award, Encontros da Imagen, Braga and the Creative Europe Project Groundswell Awards.
Darren Campion is a curator at Photo Museum Ireland. In 2022, he co-curated two major surveys of contemporary Irish photography, The Politics of Place and Photography & the Social Gaze. With Trish Lambe, Artistic Director of Photo Museum Ireland, he curated “No Place Like Home: The Domestic in Irish Photography,” a survey of recent photographic representations of home in Ireland. He has also written extensively about contemporary photographic practices, particularly around visual narrative and the photobook. He has contributed to international publications and websites, including FOAM, Paper Journal, YET magazine, Photomonitor, and the Irish Arts Review, as well as essays and texts for several artists’ monographs, including Thomas Albdorf’s General View (Skinnerboox, 2017) and Aapo Huhta’s Omatandangole (Kehrer Verlag, 2019). In 2024, he curated Skin/Deep: Perspectives on a Body, a Photo Museum Ireland survey exhibition that considered ‘other’ experiences of the body through photography and lens-based media.