Discover the Art of Photography

Through the Lens: Lectures on Irish Photography

A new season of evening lectures that introduce the compelling story of photography in Ireland

Photo Museum Ireland Artistic Director and senior curator Trish Lambe, speaks in front of a crowd at the exclusive talk, Ireland in 100 Photographs

Over the next five months, we will embark on a broad overview of Ireland’s photographic history, as leading academics, curators, and photo historians explore the development of the medium from its inception in the 19th century to today’s contemporary artistic practices.

Each lecture offers an in-depth look at key moments, movements, and figures that have shaped Irish photography, revealing how this artform has both reflected and influenced the cultural, social, and political landscapes of Ireland. Irish photography has evolved in unexpected ways, from early experiments with daguerreotypes in portraiture to the dynamic work of contemporary artists. This series unpacks photography’s history, and offers a deeper understanding of its influence, and ever-changing role in Irish culture.

Photography has the power to document, challenge, and redefine how we see the world. We invite you to join us for this lecture series, to gain fresh insights from leading experts as we explore Ireland’s photographic heritage and its influence on contemporary culture.

Full Series Pass

Attend all the talks

26 March – 30 July

Lecture Series Full Pass Image

Ireland in 100 Photographs

Trish Lambe

26 March 2025

Lecture Series 2025

Early Irish Photography - the French Connection

William Fagan

30 April 2025

Lecture Series 2025

Beyond the Frame: Silences in Irish Photography

Luke Gibbons

28 May 2025

Lecture Seires 2025

Aftermath: The Troubles and Beyond in Northern Irish Photography

Colin Graham

25 June 2025

Lecture Seires 2025

Women’s Work: Female Photography as Visibility, Agency and Resistance

Clare Gallagher

30 July 2025

Lecture Series 2025

Meet Our Speakers

Trish Lambe

Trish Lambe is the Artistic Director/CEO at Photo Museum Ireland, Ireland’s national centre for contemporary photography. Her curatorial practice is particularly concerned with the role of photography in addressing social and political issues. Recent projects include the Reframing the Border, a 5-year cross-border programme, and the In Our Own Image, a year-long survey of contemporary practices in Ireland.

William Fagan

William Fagan is a retired public servant, photographer, and photographic historian with a diverse career. He served in various government departments, and played a key role in establishing the Office of the Ombudsman in 1987. He later became Director of Consumer Affairs for eight years. In 1998, he moved to the private sector as Director of Regulatory Affairs and Communications at Chorus Communications,  now Virgin Media, where he helped to introduce broadband and digital TV in Ireland. William also worked with the Qatari government, establishing a telecoms regulator that liberalized Qatar’s telecom market. An accomplished writer on photography, William is researching Ireland’s photographic history from 1840 onwards. He joined the board of Photo Museum Ireland in 2019 and became Chair in 2022. He is also a member of several photographic societies, including Dublin Camera Club, the Royal Photographic Society and the Photographic Collectors Club of Great Britain. He is currently Executive Vice President of Leica Society International which has 3,000 members in 74 different countries.

Clare Gallagher

Dr Clare Gallagher is a Northern Irish artist, writer and curator, and is senior lecturer in photography in the Belfast School of Art at Ulster University. Her research and practice challenge the marginalisation of home and women’s experiences by interrogating the ways in which domestic practices reflect broader cultural beliefs and economic systems.

Clare’s previous projects include The Second Shift (2019) about the invisible work of home and childcare primarily carried out by women on top of their paid employment. The series was exhibited at Photo Museum Ireland and the Finnish Museum of Photography, and published as a photobook. Her current project Touch/Hunger explores the attachments, tensions and care in relationships of home.

She curated A Bigger Picture at the Golden Thread Gallery, Belfast in 2022, of Northern Ireland’s feminist and queer photography, and Curating Activism on Belfast’s socially-engaged art practices for Frederick Douglass Week in 2024. Her new book, Subversive Mothers, Disturbing Domesticity, will be published by Bloomsbury in 2025.

Luke Gibbons

Luke Gibbons is Emeritus Professor of Irish Literary and Cultural Studies at the School of English, Drama and Media Studies, National University of Ireland, Maynooth, and formerly taught at the University of Notre Dame, USA, and Dublin City University. He has published widely on Irish culture, film, literature, and the visual arts, as well as on aesthetics and politics. He was a member of the Board of Trustees at Photo Museum Ireland 2018-24. His many publications include Transformations in Irish Culture (1996), Edmund Burke and Ireland: Aesthetics, Politics and the Colonial Sublime (2003), Gaelic Gothic: Race, Colonization, and Irish Culture (2006), and Joyce’s Ghosts: Ireland, Modernism and Memory (2015).

Colin Graham

Colin Graham is Professor of English at Maynooth University. His books include Northern Ireland: Thirty Years of Photography, Deconstructing Ireland, and Ideologies of Epic. He was editor of The Irish Review from 2004 to 2020. During the Brexit negotiations he created the Twitter account @borderirish and wrote the book I am the Border, so I am, published by HarperCollins.

Upcoming Events

Through the Lens: Beyond the Frame – Silences in Irish Photography
Through the Lens: Beyond the Frame – Silences in Irish Photography

As part of our new Through the Lens lecture series, Colin Graham will discuss how photography in Northern Ireland responded to the Troubles and post-Troubles periods. It will examine the multiple ways in which photographers were able to turn politically-charged spaces...

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