We’re inviting phorographers and visual artists across Ireland to submit work to The Taylor Wessing Irish Photo Prize, a major new annual award established to champion the excellence, vitality, and diversity of contemporary photography in Ireland.
This prestigious prize creates a definitive national platform to showcase and celebrate new work by photographers and lens-based artists at all stages of their careers.
The Prize is the largest combined award fund dedicated to contemporary photography in Ireland and offers a total fund of €25,000, including:
Trish Lambe (CEO, Photo Museum Ireland), Adam Griffiths (Head, Taylor Wessing Dublin), Louise O’Reilly (Chief Executive, Business to Arts).
© Mark Steadman
This €10,000 award has been established to support an artist working in photography or lens-based media who identifies as being from an underrepresented background. The bursary aims to facilitate time and space through financial resources to enable the recipient to further develop their practice. See submission guidelines below.
Winning and shortlisted works will feature in a major public exhibition at Photo Museum Ireland from 18 April – 24 May 2026, accompanied by a national and international media campaign, after which the winning works will become part of the Taylor Wessing Irish Photo Prize collection that will be displayed at Taylor Wessing offices.
This initiative builds on Taylor Wessing’s longstanding support of photography through its sponsorship of the Taylor Wessing Photo Portrait Prize since 2008 at the National Portrait Gallery in the UK.
The open call and bursary awards each have their own application link — please submit to the one that applies to you.
For its inaugural edition in 2026, the prize invites artists to explore the powerful theme of Community.
An ancient Irish proverb, Ar scáth a chéile a mhaireann na daoine, teaches us that it is in each other’s shadow that we live. This speaks to a fundamental truth of Irish life: our identities are shaped by connection, interdependence, and shared experience.
In a time of profound global change, shaped by digital connectivity and a search for belonging, the concept of community is more essential than ever. The Taylor Wessing Irish Photo Prize 2026 asks artists to share their unique visual reflections on what it means to live together in Ireland today. We seek work that investigates the bonds, both visible and invisible,that tie us together.
How strongly the work responds to the theme Community and reflects the realities, identities, and experiences of life today in Ireland.
How fresh, distinctive, and imaginative the work is — showing new ideas, personal vision, or inventive approaches.
The quality of the image-making, including composition, lighting, focus, and confident use of the chosen medium.
How powerfully the work connects with viewers — its emotional depth, clarity of intent, and ability to convey a story or atmosphere.
Respectful and responsible depiction of people and communities, with attention to consent, context, and fairness.
Join our free information webinar for both the Competition Open Call and the Artist Bursary. Get a clear overview of the submission process, judging criteria, tips for preparing your work and learn how to apply and what we’re looking for.
12.00pm Monday 1 December
For free. For everyone.
Anne Nwakalor is a British-Nigerian curator, artist and writer working within the photography field. She is currently based in Manchester, UK and is the Founding Editor of one of Africa’s first contemporary photography magazines, No! Wahala Magazine print photography publication championing authentic visual stories told by African creatives. Her practice developed while studying a BA in Photojournalism and Documentary Photography at the University of the Arts London and a Master’s in Media, Ethics, and Social Change at the University of Sussex. Her interests revolve around ethical storytelling within the photography space, Afrofuturism, representation, and elitism within the art world, alongside a range of other topics. Anne often integrates text and moving images into her work, creating multimedia pieces alongside still photography. She has facilitated workshops, curated exhibitions, reviewed portfolios, and served on photography juries for organisations and institutions, including World Press Photo, Magnum Photos, Foam Magazine, Format Festival, Paris College of Art, Photo Museum Ireland, and Manchester Metropolitan University. She has featured on panels for numerous photography contests, reviewed work at several portfolio reviews, and delivered presentations, talks and lectures at universities, exhibitions, art events and photo festivals.
Fintan O’Toole is one of Ireland’s foremost public intellectuals, whose work sits at the intersection of politics, history, culture and literature. He writes with clarity and depth about how decisions—both bold and flawed—reshape lives.
Since 1988, he has been a columnist for The Irish Times, and he contributes to The New Yorker, The Guardian, The New York Review of Books, among others. He also previously served as Leonard L Milberg Professor of Irish Letters at Princeton University.
O’Toole has authored around 25 books spanning topics such as Irish identity, literature, Brexit, and political critique. His accolades include the Orwell Prize, the European Press Prize, and the 2024 Robert B. Silvers Prize for “inclusive political commentary.” Currently, he is writing the official biography of Seamus Heaney.
In his lectures and writings, he invites audiences to see their own role in shaping history and to reflect critically on power, identity, and progress.
Zoe Harrison is a Northern Irish curator, project manager, and photographer based in east London. Currently Head of Awards and Partnerships at British Journal of Photography, the world’s longest-running photography title. Here, she curates magazine’s prestigious awards program, including Portrait of Humanity, OpenWalls, Female in Focus, BJP IPA and Portrait of Britain, and oversees partnerships and collaborations with the publication with organisations like WeTransfer, Nikon and Bodleian Libraries. She has been invited to review portfolios at a number of institutions and events such as PHotoESPAÑA, LCC, Falmouth University, and Nottingham Trent University; and serve on the juries of the Indian Photo Festival and Format Festival.
Trish Lambe is the Artistic Director/CEO at Photo Museum Ireland, Ireland’s national centre for contemporary photography. She leads the artistic programming team and the development of the museum’s collection initiative. She has curated solo and group exhibitions featuring leading Irish and international artists, and programmed national and international commissions, exhibitions, events, and symposia that address key issues in contemporary photography. Recent projects include a survey of the development of photography in Ireland, co-curated with Photo Museum Ireland’s curatorial team and the co-curation of the award-winning Akihiko Okamura ‘The Memories of Others’ exhibition and photo book. She is a nominator, juror and portfolio reviewer for national and international artists’ awards and commissions, most recently the Deutsche Börse Prize, LSI Women in Photography Grant, Prix Pictet, Format, Rencontres d’Arles, Hendrik teNeues Photo Award, Encontros da Imagen, Braga and the Creative Europe Project Groundswell Awards.
Darren Campion is a curator at Photo Museum Ireland. In 2022, he co-curated two major surveys of contemporary Irish photography, The Politics of Place and Photography & the Social Gaze. With Trish Lambe, Artistic Director of Photo Museum Ireland, he curated “No Place Like Home: The Domestic in Irish Photography,” a survey of recent photographic representations of home in Ireland. He has also written extensively about contemporary photographic practices, particularly around visual narrative and the photobook. He has contributed to international publications and websites, including FOAM, Paper Journal, YET magazine, Photomonitor, and the Irish Arts Review, as well as essays and texts for several artists’ monographs, including Thomas Albdorf’s General View (Skinnerboox, 2017) and Aapo Huhta’s Omatandangole (Kehrer Verlag, 2019). In 2024, he curated Skin/Deep: Perspectives on a Body, a Photo Museum Ireland survey exhibition that considered ‘other’ experiences of the body through photography and lens-based media.
18 November 2025 – 11 January 2026: Photography & Bursary Open Call submission period.
11 January 2026: Deadline for submissions.
February 2026: Jury selection.
March 2026: Shortlist announcement.
18 April – 24 May 2026: Exhibition.
You can apply for the Artist Bursary Award without having to apply for the open call competition. They are separate applications and will be considered distinct during the due diligence and jury selection process.
Submit your application for the Artist Bursary.
You must provide information on your background, artistic practice to date, supporting images of your work and explain what you would use the bursary for. Applicants may identify with multiple categories; intersectional experiences are valid and welcome. Further guidance on the Bursary application will be available during our free informational webiinar.
We are committed to ensuring equitable access to the Prize for all artists. All photography competition submissions must be made through Picter and bursary submissions through Awardforce. However, if you experience accessibility barriers when using Picter these platforms— for example, due to a disability, assistive technology incompatibility, or digital access issues — please contact us at access@photomuseumireland.ie
We can provide assistance, including:
1.1 The Prize is free to enter and accessible to all photographers and lens-based artists who are based in Ireland (Republic of Ireland and Northern Ireland) or who are Irish citizens living abroad.
1.1.1 Artists at all career stages are encouraged to apply; no prior exhibition experience is necessary.
1.1.2 Submissions are actively encouraged from those who identify as being from an underrepresented community, including artists from diverse cultural, social, and geographic backgrounds.
1.2 Entrants must be 18 years or older on 1 January 2025.
1.3 Immediate family members or employees of Photo Museum Ireland, Taylor Wessing, or Business to Arts are not eligible to enter.
1.5 For the Photo Competition, each entrant may submit one entry comprising up to three individual photographs relating to the 2026 theme of Community’. Only one image per entrant will be eligible for final selection.
1.5 For the Bursary, each applicant may submit one entry comprising up to three individual photographs relating to your practice.
1.6 Submitted works must be original, lens-based artworks created by the entrant after 1 January 2023.
1.7 Generative AI or AI-assisted imagery is not eligible. All submissions must reflect the entrant’s own creative authorship and technical production.
1.8 Entrants must hold all necessary rights and permissions for the images submitted, including consent from any identifiable persons depicted. Proof of consent may be requested from shortlisted artists.
1.9 We recognise that contemporary photographic practice often engages with social, cultural and political issues through a reflective, observational or interpretive lens. Submissions that address these areas are welcome, provided the work is grounded in artistic inquiry. Works that perpetuate negative stereotypes or discriminatory perceptions will not be accepted.
1.1 The Museum and any future partner venue(s) for the Taylor Wessing Irish Photo Prize 2026 are solely responsible for the curation and hang of the exhibition at their respective venues and reserve the right to change displays as they see fit.
1.2 Shortlisted artists will be asked to provide a short description of their exhibited work and a brief biography at time of application. These texts will be used for wall labels, the exhibition catalogue, and related promotional materials. The organisers reserve the right to edit these texts for clarity, length, and house style. If substantial edits are required, the revised text will be returned to the artist for approval within five working days. If no response is received within that period, the edited version will be deemed approved.
1.3 While every care will be taken, Photo Museum Ireland, Taylor Wessing, and Business to Arts are not liable for any loss or damage to digital files or prints.
1.4 Personal data processed through the application platforms will be processed in accordance with GDPR and only for purposes related to the administration and promotion of the Prize.
1.5 Contact information may be shared with Taylor Wessing and Business to Arts solely for Prize administration and communications related to exhibition or acquisition opportunities.
1.6 By submitting to the Taylor Wessing Irish Photo Prize 2026, entrants agree to these rules and to the decisions of the organisers and jury as final and binding.
Copyright & Reproduction Rights
The open call and bursary awards each have their own application link — please submit to the one that applies to you.
If you have any questions or queries regarding the Taylor Wessing Irish Photo Prize please get in touch.